Graphic novel

A graphic novel is a book made up of comics content. Although the word "novel" normally refers to long fictional works, the term "graphic novel" is applied broadly and includes fiction, non-fiction, and anthologized work. It is distinguished from the term "comic book", which is used for comics periodicals.

Fan historian Richard Kyle coined the term "graphic novel" in an essay in the November 1964 issue of the comics fanzine Capa-Alpha. The term gained popularity in the comics community after the publication of Will Eisner's A Contract with God (1978) and became familiar to the public in the late 1980s after the commercial successes of the first volume of Art Spiegelman's Maus in 1986 and the collected editions of Frank Miller's The Dark Knight Returns in 1986 and Alan Moore and Dave Gibbons' Watchmen in 1987. The Book Industry Study Group began using "graphic novel" as a category in book stores in 2001.

Definition

The term is not strictly defined, though Merriam-Webster's broad dictionary definition is "a fictional story that is presented in comic-strip format and presented as a book." In the publishing trade, the term is sometimes extended to material that would not be considered a novel if produced in another medium. Collections of comic books that do not form a continuous story, anthologies or collections of loosely related pieces, and even non-fiction are stocked by libraries and bookstores as "graphic novels" (similar to the manner in which dramatic stories are included in "comic" books). The term is also sometimes used to distinguish between works created as standalone stories, in contrast to collections or compilations of a story arc from a comic book series published in book form.

French

French may refer to:

See also

Comic book

A comic book or comicbook, also called comic magazine or simply comic, is a publication that consists of comic art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by brief descriptive prose and written narrative, usually dialog contained in word balloons emblematic of the comics art form. Although comics has some origins in 18th century Japan and 1830s Europe, comic books were first popularized in the United States during the 1930s. The first modern comic book, Famous Funnies, was released in the United States in 1933 and was a reprinting of earlier newspaper humor comic strips, which had established many of the story-telling devices used in comics. The term comic book derives from American comic books once being a compilation of comic strips of a humorous tone; however, this practice was replaced by featuring stories of all genres, usually not humorous in tone.

Structure

Comic books are reliant on their organization and appearance. Authors largely focus on the frame of the page, size, orientation, and panel positions. These characteristic aspects of comic books are necessary in conveying the content and messages of the author. The key elements of comic books include panels, balloons (speech bubbles), text (lines), and characters. Balloons are usually convex spatial containers of information that are related to a character using a tail element. The tail has an origin, path, tip, and pointed direction.

Franco-Belgian comics

Franco-Belgian comics (French: Bande dessinée franco-belge; Dutch: Franco-Belgische strip) are comics that are created for a Belgian and French audience. These countries have a long tradition in comics and comic books, where they are known as BDs, an abbreviation of bandes dessinées (literally drawn strips) in French and stripverhalen (literally strip stories) in Dutch. Flemish Belgian comic books (originally written in Dutch) are influenced by francophone comics, yet have a distinctly different style.

In Europe, the French language is spoken natively not only in France but also by about 40% of the population of Belgium and about 20% of the population of Switzerland. The shared language creates an artistic and commercial market where national identity is often blurred.

Flemish publications are often translated to French and brought on the French-language market. Despite the shared language, Flemish comic books are not common in the Netherlands (with some exceptions).

Valérian and Laureline

Valérian and Laureline (French: Valérian et Laureline), also known as Valérian: Spatio-Temporal Agent (French: Valérian, agent spatio-temporel) or just Valérian, is a French science fiction comics series, created by writer Pierre Christin and artist Jean-Claude Mézières. First published in Pilote magazine in 1967, the final installment was published in 2010. All of the Valérian stories have been collected in graphic novel album format, comprising some twenty-one volumes plus a short story collection and an encyclopaedia. Valérian is one of the top five biggest selling Franco-Belgian comics titles of its publisher, Dargaud.

The series focuses on the adventures of the dark-haired Valérian, a spatio-temporal agent, and his redheaded female colleague, Laureline, as they travel the universe through space and time. Valérian is a classical hero, kind-hearted, strong and brave who follows the orders of his superiors even if he feels, deep down, that it is the wrong thing to do. On the other hand, his partner Laureline combines her superior intelligence, determination and independence with sex-appeal, making her one of science fiction's most notable heroines. Influenced by classic literary science fiction, the series mixes space opera with time travel plots. Christin's scripts are noted for their humour, complexity and strongly humanist and left-wing liberal political ideas while Mézières' art is characterised by its vivid depictions of the alien worlds and species Valérian and Laureline encounter on their adventures. The series was a landmark in European comics and pop culture, and influenced other media as well – traces of its concepts, storylines and designs can be found on sci-fi films such as Star Wars, The Fifth Element, and Avatar.